The fact that it tells its story in a way that aesthetically calls to mind Alan Moore and Bill Sienkiewicz’s 1988 collaboration Shadowplay: The Secret Team, which told some unsavory details about how the CIA conducted some real world foreign policy only adds to the eerie feel. What happens in a world where all conspiracy theories are actually true? Or that reality actually warps to accommodate new “truths” as they come into being? Such is the premise of The Department of Truth, which delivers on all the unsettling promise of its premise. James Tynion IV (Writer), Martin Simmonds (Artist) This run is shaping up to be one of the best Daredevil stories of all time, a very high bar to clear. No lie, Stilt Man has never looked this good. Jorge Fornes and Marco Checchetto have handled the bulk of the pencils this year, and their dramatically divergent styles do a great job of showing the two sides of Murdock’s world – Fornes excels at the quiet investigatory work that Daredevil does, while Checchetto blows the doors off of some monster action set pieces. The art on this run has been the real deal. What they do to him, and what Fisk does back, is incredible. But the big fish in that pond (the Stromwyns – think Marvel’s Koch Brothers) don’t much get along with someone as insignificant as Fisk. His Wilson Fisk is Hall of Fame.įisk is attempting to go legit after discovering as Mayor of New York City that there is a much larger pond he could be swimming in. Chip Zdarsky (Writer) Marco Checchetto, Mike Hawthorne, Francesco Mobili, Jorge Fornes (Artists) Marcio Menyz, Mattia Iacono, Nolan Woodard (Colorists) Clayton Cowles (Letterer)Ĭhip Zdarsky’s Matt Murdock is terrific.
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